Christian P. Pewitt Blogs: A 3 Step Plan To Consistently Gain New Fans

Fans are an essential part of finding success as a band, and while fanbase growth has an huge variety of factors, this article focuses on three tactics which, in addition to be successful in their own right, have proven to produce spectacular results when when consistently used in conjunction with each other.

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Guest post by Leonard Patterson, Founder of Indie Band Coach

While I’m fully aware that there are hundreds of tactics, strategies, tools, and ideas on how to grow your fanbase, I’m just going to cover three. They are ones I’ve used personally and have seen work really well. They have been crazy successful when used together on a consistent basis and that’s what I want to help you get set up — A plan for success and a system that will help you get there.

If you’re looking for the quick-fix, microwave method, please move along. This ain’t that.

This 3-Part Strategy helped us grow a loyal fanbase who would many times wait 30 minutes to get into a local bar to see us. Mind you, that wasn’t our goal necessarily, but it’s a result of focusing on our fans and putting in a system that allowed us to get to know them. But you may be asking…

Why Not Just Run Facebook Ads?

Of course, there’s a lot of focus on Facebook Ads as the platform remains the social media beast that it is. You may also be wondering: “What on Earth did we/they do before Facebook became the pay-to-play machine that it is today?”

If that’s where you’re at or you’re looking for an alternative to the “pain in the ads” that Facebook can sometimes be, you’re in the right place.

But first a little context…

The band I fronted with my wife, managed, and booked was an 8-piece party band that performed 125 shows a year. Very few weekends off. In the slow months, we’d have 8 gigs (Fridays & Saturdays every weekend) and in the busy Summer months we’d clock in at 15–20 shows.

Now, you don’t have to have 8 people in your band (I might even discourage it), nor do you have to have shows every single weekend. But if you have a somewhat consistent schedule and are trying to get more butts in seats, these steps will lead you down that path.

Here’s exactly what we did: Postcards + Pics + Email + (Repeat)…

Now, let me explain.

1. DISTRIBUTING POSTCARDS

Or “Gig Cards” as we called them, were a staple at every one of our shows. They’re basically a 4up cards (i.e. an 8.5x11 piece of paper cut into 1/4ths) that listed our upcoming gigs, the main social channels, and (maybe most importantly) our logo. We didn’t do anything special, didn’t have a huge budget, and spent very little time producing them.

We would use them as conversation starters before and after the show and it gave us a chance to give a simple call to action without promoting a club other than where we were.

EXAMPLE: “Hey, if you’re on the dancefloor, be sure to pick up one of our gig cards so you can see where the next party is and when we’ll be back here!”

We wanted to be like a virus (we actually had this conversation in band practices). We wanted to be able to “spread” our info, our dates, our logo, etc. into people’s lives in a very non-virusy, intrusive way. That’s what the gig cards ended up doing.

It turns out they were just the right size to serve as ‘refrigerator swag’. People told us countless times how they would plan their weekends based on the dates on our card. Not only did it represent a fun, recent memory, it gave them a future good time to look forward to.

One note about your cards. Use your judgment, but we found it was a waste of space to include private or corporate gigs. While it may seem like a status symbol to show people you’re playing a high-profile gig, you might be better off focusing that real estate on all the things they CAN do — like come see you.

2. COLLECTING AND SENDING EMAILS

Conveniently, also right next to the gig cards was our email list sign up. Now, I’ll be the first to admit, we didn’t have an awesome email sequence planned out. We only had an automated response that introduced the band and had a link to the website. But that almost didn’t matter.

What we were doing was developing a more one-on-one relationship with people when we emailed them. We used it more as a broadcast tool at the time — here’s some news about our upcoming shows, here’s some behind the scenes videos of us making our cd, etc. But. It. Worked.

We also got smart and started looking for more electronic ways to get people on our list. MailChimp is great for being able to have people input their email with the use of an iPad. It even works without having to be on WiFi.

You can also use a paid service like Join By Text which is an integration that allows fans to join via text message directly from their smartphone.

We grew our list to over 2500 people and took the time to segment. We didn’t travel a ton, but when we did, we made sure that all emails were tagged with the venue and city. Then, if we didn’t want to send out a mass email for a specific gig, we could literally target it to fans who had caught us at that venue before.

I’ve used several email providers at different times for different reasons. It seems I always end up back at MailChimp. But don’t take my word for it. Constant Contact and AWeber are two others I’ve used, while I’ve also heard great things about MailerLite.

Regardless of who you choose to go with, one of the best things you can include in your emails? The 3rd step of the plan — pictures of fans.

3. TAKING AND TAGGING FAN PHOTOS

We’re musicians. And who doesn’t like — even a little bit — to see themselves in an awesome rockstar post with lights blasting their silhouette onto the crowd as the haze creates an angelic, dare I say “God-like” presence on stage. Yeh…. but once you’ve seen one, you’ve seen ’em all. And so have your fans.

What we found that reaaaally gets shared by our fans the next day on social media is the pictures of THEM. They want to be the rockstars that night. They want to show how fun their weekend was and chances are you’re going to have the best vantage point to help make that happen. So do yourself a favor and focus your (lens) on your fans, which I dedicated a whole blog post to.

Basically, in many people’s eyes, you already lead the rockstar life. So be conscious enough to make your fans the star of the show.

Grab your phone or camera and snap a few pics while the energy of the night is up. If you’re a dance band, there’s probably a song or two that have a “built-in” hand raising call to action. Yes, by all means, be ready for it and capture those moments. There’s NOTHING that translates better to fun than people who are so carefree that they’re just out in public with their hands thrown in the air! You best believe it.

Before you post the pics though, I’d also cautiously recommend a few don’ts —

Don’t take too many. You don’t want this to be time-consuming or distracting from the gig. You also don't want it to take forever for your fans to scroll through them. 10 good pics will work, maybe up to 20 if you create an album. Better yet, experiment with what works best for YOU.
Don’t take pics of an empty dancefloor. Can't stress this one enough. Nobody knows it was the first song of the night. They see what they see and you want every pic in some way to make people think — “I wish I was there” vs. "I'm glad I stayed home."
Don’t be creepy. Make it obvious you’re taking pics and let people know to check your Facebook page (or wherever you’ll post them). The last thing you want is to zoom in on a random couple making out who aren’t even engaged in your show.

Obviously, this isn’t some all-encompassing social media plan, nor an exploration of all the things you can do to build your fanbase. But, if you’re someone who has shows on a regular basis, consistently implementing these 3 marketing tools into your gig strategy can ignite a path to better relationships with your fans.

So, why wait?

Here’s your action plan for getting this implemented. It’s something you can do potentially even before your next show.

ACTION PLAN

Sign up for an email provider. Choose a free one (like Mailchimp) where your point of entry is low, but it’s easy to use.
For now, just set up your initial Welcome Email. Show a little personality and let people know what to expect and where they can connect with you. Ideally, you’d set up an automated Welcome Series that will walk your new subscribers through a series of ‘get to know you’ emails. More on that in another post.
Grab a piece of paper, place it on a clipboard and label it “Email Sign Up”. Have three columns — Name, Email Address, Venue.
If you want to go electronic, you should display the signup link/URL that will lead fans directly to your signup form. (Or use a service like Text to Join to be able to capture people’s emails).
Design your gig cards/post cards with your next few shows listed and your most up-to-date social media page. If you want a template, you can email us at leonard(at)indiebandcoach.com with the subject line “Gig Card Template” and I’ll send you a template you can use (free, no opt-in).
Make sure you or someone in your band has a decent camera (or just a charged smartphone) ready for your next gig. The picture quality doesn’t have to be pro, but a well-lit action shot will go a long way.
After the gig, post the pictures in an album on Facebook, tag any people you know, definitely tag the venue, and encourage people to tag their friends.
Enter whatever emails you’ve collected into your provider including the venue in which they were collected. It may take some customizing of your signup form at some point, but you’re well on your way to building your fanbase.

Like I said, it’s not a quick fix and it may take a little time to see some great results, but this is a marathon worth running. You have music that needs to be heard, live shows that need to be experienced, and there are people out there right now, looking for you.

#WorkSmarter #GigHarder

Leonard Patterson is the founder of Indie Band Coach, a community dedicated to serving independent musicians and band leaders. Follow along with tools and tips on Instagram